Camille Pissarro
Orchard in Bloom, Louveciennes
From $100
This painting is river grey, poplar green and sky, and a cheap copy flattens the rushing water. Our Pissarro The Lock at Pontoise print was graded from a high-resolution master so every stroke stays crisp.
Canvas, framed or paper
Stretched canvas. Printed on cotton canvas and stretched taut over a frame. The edges are mirror-wrapped, so the picture continues around the sides and none of it is lost to the fold.
Framed canvas. The same canvas, set in a black, white, natural wood or dark wood frame 0.83 in deep. The frame gives the work a finished edge and a little more presence on the wall.
Framed print. Printed on fine art matte paper and framed in solid pine, behind shatterproof plexiglass, in black, white, natural wood or dark wood. It arrives ready to hang. Framed sizes are measured on the outside of the frame.
Fine art print. Printed on 310gsm fine art matte paper, for framing your own way. It travels rolled and protected. From 18x24 inch.
Sizes
18x12 inch, 24x16 inch, 30x20 inch, 36x24 inch. Framed sizes are measured on the outside of the frame, so the visible painting is a little smaller.
On your wall
Its wide shape suits a living room, a bedroom or a hallway. The greys and greens look lovely with white, sand and natural oak, and a white or natural oak frame suits it.
About the painting
The Lock at Pontoise by Camille Pissarro
Pontoise, 1872
In 1872 Camille Pissarro moved back to Pontoise, where he painted with Cézanne. Here water rushes through an open lock gate on the river.
One session
He painted straight onto the canvas without a drawing, perhaps in a single session, in thick broken strokes.
Cleveland
It belongs to the Cleveland Museum of Art, bought in 1990.
Read the story
Water rushes through an open lock gate, streaking across the river in thick, broken strokes. Houses and tall poplars line the far bank under a cloudy sky.
In 1872 Camille Pissarro moved back to Pontoise, about seventeen miles northwest of Paris. There he painted alongside Paul Cézanne.
The Cleveland Museum of Art says he painted this straight onto the canvas, with no drawing first, perhaps in a single session.
Look at the water. It is just quick dashes of white, grey and blue, and yet it moves.
The next year, in 1873, he helped found the society of artists who held the first Impressionist exhibition.
The painting belonged to Paris collectors, among them Charles Guasco and Max Behrendt.
In 1990 the Cleveland Museum of Art bought it. It was painted in the same years that Pissarro and his friends were preparing their first exhibition together.
Look at the rushing water, and then at the poplars.
The Lock at Pontoise. Camille Pissarro, 1872.
How each piece is brought to life
Faithful to the original, and made to be felt on your wall.
Graded against the original
We compare every work with the original as we grade it, keeping the artist’s colours true while bringing back their depth and glow. Every mark stays the artist’s own.
Printed for you
Printed to order on cotton canvas or fine art paper, then framed if you chose a frame, in 1 to 3 business days.
On your wall
It arrives 5 to 12 business days later, tracked and free anywhere in the US. Framed pieces come ready to hang.
Questions
Is this the original painting?
No. The original hangs in a museum. What you receive is a fine art reproduction, remastered from the original and printed for you, with every mark where the artist left it.
Will the colour look flat?
This is where most reproductions disappoint, and it is where we spend the most time. Each work is graded side by side with the original: faithful to the artist’s colours, with the depth and warmth brought back, so it moves you on the wall the way it was meant to. Canvas reads a touch softer than a backlit screen, and every screen shows colour a little differently.
Will the edges be cropped?
Each size is a standard frame size, so we fit the painting by trimming a little from its edges. We never stretch or squash it, and we check every size by eye so no face, figure or signature is cut. On canvas the edges are mirror-wrapped, which keeps the whole picture on the front.
Which size is right for my wall?
Aim for about two-thirds the width of the furniture beneath it. Over a sofa or a sideboard, one of the two largest sizes will hold the wall. The size guide lists every size in inches and centimetres, with the kind of wall each one suits.
How long does it take?
Your piece is printed in 1–3 business days, then spends 5–12 business days in transit, tracked all the way. Delivery is free anywhere in the US. We are unable to deliver to PO boxes.
What if it arrives damaged?
Send us a photograph and we will remake it and send it again. There is nothing to return.
Can I return it?
Yes, within 30 days of delivery. Our returns policy has the details.
-
Camille Pissarro
Hoarfrost
From $80
-
Camille Pissarro
The Louvre, Morning, Sunlight
From $100
-
Camille Pissarro
La Ruelle des Poulies, Pontoise
From $80
-
Camille Pissarro
The Road Near the Farm
From $100
-
Camille Pissarro
Young Peasant Having Her Coffee
From $100
-
Camille Pissarro
Strollers on a Country Road, La Varenne-Saint-Hilaire
From $100
-
Camille Pissarro
The Banks of the Viosne at Osny in Grey Weather, Winter
From $100
-
Camille Pissarro
Pont Boieldieu in Rouen, Rainy Weather
From $100
-
Camille Pissarro
The Tuileries Gardens, Paris
From $100
-
Camille Pissarro
The Pont-Neuf, Effect of Snow
From $100
-
Camille Pissarro
Vegetable Garden
From $100
Printed to order
Graded against the original, then printed for you on cotton canvas or fine art paper in 1–3 business days.
The whole painting
Every mark is the artist’s own, and canvas edges are mirror-wrapped so the whole picture stays on the front.
Free US shipping
On every order, tracked, 5–12 business days in transit.
30-day returns
Returns and exchanges within 30 days of delivery.
