Claude Monet
Argenteuil Basin with a Single Sailboat
From $100
This is a picture made of light on grass and blossom, and a flat print turns the lawn khaki and the tree grey. We graded our Claude Monet Landscape The Parc Monceau beside the original at the Met, so the greens stay fresh and the pinks stay soft. It is Monet Landscape The Parc Monceau as it hangs in New York.
Stretched canvas. Printed on cotton canvas and stretched taut over a frame. The edges are mirror-wrapped, so the picture continues around the sides and none of it is lost to the fold.
Framed canvas. The same canvas, set in a black, white, natural wood or dark wood frame 0.83 in deep. The frame gives the work a finished edge and a little more presence on the wall.
Framed print. Printed on fine art matte paper and framed in solid pine, behind shatterproof plexiglass, in black, white, natural wood or dark wood. It arrives ready to hang. Framed sizes are measured on the outside of the frame.
Fine art print. Printed on 310gsm fine art matte paper, for framing your own way. It travels rolled and protected. From 18x24 inch.
16x12 inch, 20x16 inch, 24x18 inch, 30x24 inch. Framed sizes are measured on the outside of the frame, so the visible painting is a little smaller.
It brings a spring afternoon into a living room, a bedroom or a breakfast nook. The greens and blossom pinks sit well with white, sage and natural oak, and a natural wood or white frame keeps it fresh.
About the painting
Monet mostly painted the river at Argenteuil, outside the city. In the spring of 1876 he came into Paris and painted the Parc Monceau, a public park in the west of the city, three times. It was a hard year: his wife Camille was seriously ill.
He set up his easel so that trees close in the sides and the tall houses of the city close the back, like a stage. In the middle, a big tree in full flower, pink and white. On the right, a row of tall poplars. In front, the lawn is bright with sun.
Monet sold it fast. On 25 June 1876, just weeks after he painted it, the collector Georges de Bellio bought it from him. The next spring it hung in the third Impressionist exhibition, and Monet came back to the park two years later to paint it again. Today it belongs to the Metropolitan Museum of Art.
Claude Monet usually painted rivers. But in the spring of 1876, he painted a park in the middle of Paris.
Monet is thirty-five. Two years earlier, he and his friends had put on their own show, and a critic had laughed at them and called them Impressionists.
The name stuck, but the money didn't come. And this year his wife, Camille, is seriously ill.
So he takes the train into the city, to the Parc Monceau, a public park on the west side of Paris.
He sets up his easel on the grass and chooses his spot with care. Trees close in on both sides, like curtains, and the tall city houses close off the back, like the wall of a stage.
In the middle stands a tree in full flower, all pink and white. On the right, a row of poplars reaches up into the sky, and in front, the lawn is bright with sun.
He paints fast, in short strokes, before the light can change.
He comes back three times that spring. And on the twenty-fifth of June, just weeks later, a collector named Georges de Bellio buys this one from him.
The next spring it hangs in the third Impressionist show, and two years after that, Monet returns to the same park to paint it again.
Today it's in New York, at the Metropolitan Museum.
Sit down on the grass for a minute. The tree is still in flower.
Landscape: The Parc Monceau. Claude Monet, 1876.
Faithful to the original, and made to be felt on your wall.
We compare every work with the original as we grade it, keeping the artist’s colours true while bringing back their depth and glow. Every mark stays the artist’s own.
Printed to order on cotton canvas or fine art paper, then framed if you chose a frame, in 1 to 3 business days.
It arrives 5 to 12 business days later, tracked and free anywhere in the US. Framed pieces come ready to hang.
No. The original hangs in a museum. What you receive is a fine art reproduction, remastered from the original and printed for you, with every mark where the artist left it.
This is where most reproductions disappoint, and it is where we spend the most time. Each work is graded side by side with the original: faithful to the artist’s colours, with the depth and warmth brought back, so it moves you on the wall the way it was meant to. Canvas reads a touch softer than a backlit screen, and every screen shows colour a little differently.
Each size is a standard frame size, so we fit the painting by trimming a little from its edges. We never stretch or squash it, and we check every size by eye so no face, figure or signature is cut. On canvas the edges are mirror-wrapped, which keeps the whole picture on the front.
Aim for about two-thirds the width of the furniture beneath it. Over a sofa or a sideboard, one of the two largest sizes will hold the wall. The size guide lists every size in inches and centimetres, with the kind of wall each one suits.
Your piece is printed in 1–3 business days, then spends 5–12 business days in transit, tracked all the way. Delivery is free anywhere in the US. We are unable to deliver to PO boxes.
Send us a photograph and we will remake it and send it again. There is nothing to return.
Yes, within 30 days of delivery. Our returns policy has the details.
Printed to order
Graded against the original, then printed for you on cotton canvas or fine art paper in 1–3 business days.
The whole painting
Every mark is the artist’s own, and canvas edges are mirror-wrapped so the whole picture stays on the front.
Free US shipping
On every order, tracked, 5–12 business days in transit.
30-day returns
Returns and exchanges within 30 days of delivery.