Domenico Veneziano
Head of a Tonsured, Beardless Saint
From $100
This painting is gold, cream beard and soft blue, and a cheap copy flattens the fresco surface. Our Domenico Veneziano Bearded Saint print was graded from a high-resolution master so the beard and the halo stay clear.
Canvas, framed or paper
Stretched canvas. Printed on cotton canvas and stretched taut over a frame. The edges are mirror-wrapped, so the picture continues around the sides and none of it is lost to the fold.
Framed canvas. The same canvas, set in a black, white, natural wood or dark wood frame 0.83 in deep. The frame gives the work a finished edge and a little more presence on the wall.
Framed print. Printed on fine art matte paper and framed in solid pine, behind shatterproof plexiglass, in black, white, natural wood or dark wood. It arrives ready to hang. Framed sizes are measured on the outside of the frame.
Fine art print. Printed on 310gsm fine art matte paper, for framing your own way. It travels rolled and protected. From 18x24 inch.
Sizes
16x20 inch, 24x30 inch, 32x40 inch. Framed sizes are measured on the outside of the frame, so the visible painting is a little smaller.
On your wall
Its tall shape suits a study, a hallway or a living room wall. The golds, creams and blues look rich with cream, slate and walnut, and a gold or natural oak frame suits it.
About the painting
Head of a Tonsured, Bearded Saint by Domenico Veneziano
A bearded friar
With his long white beard and downcast eyes, this friar holds a red-covered book. He stood beside the Virgin in a shrine on a Florentine street.
Look closer
His halo is metal foil, laid flat on top of his head in perspective. The blue around him was added in the 19th century.
Three fragments
Only three pieces of the shrine survive, and all are in the National Gallery. This one came from Sir Charles Eastlake’s estate in 1867.
Read the story
An old friar with a long white beard looks down, lost in thought. He holds a book with a red cover, and a golden halo rests flat on top of his head.
He was painted around 1440 on a street corner in Florence, as part of a shrine by Domenico Veneziano. The Virgin and Child sat in the centre, and this friar stood beside them.
Look at that halo. It's made of metal foil, and it's painted in perspective, lying on his head like a plate rather than standing up behind it. It was a new idea in Florence at the time, first tried by Masaccio.
Only three pieces of the shrine survive: this head, a second saint's head, and a fragment of the centre. All three are in the National Gallery in London.
In 1851 the fresco was cut from the wall and moved onto a tile. The blue background was added later, and the face has been repainted, though its shape was kept. The Gallery bought it in 1867.
Domenico Veneziano probably came from Venice, which is how he got his name, and his clear, bright colours later inspired Piero della Francesca, who worked as his assistant.
Head of a Tonsured, Bearded Saint. Domenico Veneziano, about 1440 to 1444.
How each piece is brought to life
Faithful to the original, and made to be felt on your wall.
Graded against the original
We compare every work with the original as we grade it, keeping the artist’s colours true while bringing back their depth and glow. Every mark stays the artist’s own.
Printed for you
Printed to order on cotton canvas or fine art paper, then framed if you chose a frame, in 1 to 3 business days.
On your wall
It arrives 5 to 12 business days later, tracked and free anywhere in the US. Framed pieces come ready to hang.
Questions
Is this the original painting?
No. The original hangs in a museum. What you receive is a fine art reproduction, remastered from the original and printed for you, with every mark where the artist left it.
Will the colour look flat?
This is where most reproductions disappoint, and it is where we spend the most time. Each work is graded side by side with the original: faithful to the artist’s colours, with the depth and warmth brought back, so it moves you on the wall the way it was meant to. Canvas reads a touch softer than a backlit screen, and every screen shows colour a little differently.
Will the edges be cropped?
Each size is a standard frame size, so we fit the painting by trimming a little from its edges. We never stretch or squash it, and we check every size by eye so no face, figure or signature is cut. On canvas the edges are mirror-wrapped, which keeps the whole picture on the front.
Which size is right for my wall?
Aim for about two-thirds the width of the furniture beneath it. Over a sofa or a sideboard, one of the two largest sizes will hold the wall. The size guide lists every size in inches and centimetres, with the kind of wall each one suits.
How long does it take?
Your piece is printed in 1–3 business days, then spends 5–12 business days in transit, tracked all the way. Delivery is free anywhere in the US. We are unable to deliver to PO boxes.
What if it arrives damaged?
Send us a photograph and we will remake it and send it again. There is nothing to return.
Can I return it?
Yes, within 30 days of delivery. Our returns policy has the details.
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Printed to order
Graded against the original, then printed for you on cotton canvas or fine art paper in 1–3 business days.
The whole painting
Every mark is the artist’s own, and canvas edges are mirror-wrapped so the whole picture stays on the front.
Free US shipping
On every order, tracked, 5–12 business days in transit.
30-day returns
Returns and exchanges within 30 days of delivery.
