Franz Marc
Siberian Dogs in the Snow
From $80
This painting is jagged reds, deep blues and greens, and a cheap copy turns it to muddy brown. Our Franz Marc Fate of the Animals print was graded so the reds burn and the blues stay deep.
Canvas, framed or paper
Stretched canvas. Printed on cotton canvas and stretched taut over a frame. The edges are mirror-wrapped, so the picture continues around the sides and none of it is lost to the fold.
Framed canvas. The same canvas, set in a black, white, natural wood or dark wood frame 0.83 in deep. The frame gives the work a finished edge and a little more presence on the wall.
Framed print. Printed on fine art matte paper and framed in solid pine, behind shatterproof plexiglass, in black, white, natural wood or dark wood. It arrives ready to hang. Framed sizes are measured on the outside of the frame.
Fine art print. Printed on 310gsm fine art matte paper, for framing your own way. It travels rolled and protected. From 18x24 inch.
Sizes
16x12 inch, 20x16 inch, 24x18 inch, 30x24 inch. Framed sizes are measured on the outside of the frame, so the visible painting is a little smaller.
On your wall
Its wide shape suits a living room, a study or a large wall. The reds and blues look dramatic with white, charcoal and dark wood, and a black frame suits it.
About the painting
Fate of the Animals by Franz Marc
Sindelsdorf, 1913
In 1913, in the Bavarian village of Sindelsdorf, Franz Marc painted a forest breaking apart. A burning tree falls, fire rains down, and in the centre a blue deer lifts its head as if in lament.
Flaming agony
His own title was The trees showed their rings, the animals their veins. On the study he wrote: And all being is flaming agony, a line adapted from the Buddhist Dhammapada. His friend Paul Klee gave it the name we use.
A premonition
Called up in 1914, Marc wrote from the front that the painting was like a premonition of the war, horrible and shattering. He was killed in 1916. It is now in the Kunstmuseum Basel.
Read the story
A forest is breaking apart.
In 1913, in the Bavarian village of Sindelsdorf, Franz Marc painted his biggest vision: almost two metres high, more than two and a half wide.
A burning tree crashes down. Red shards of fire rain across everything. Two green horses flee. A pair of boars hide below, and foxes watch, frozen. And in the centre, a blue deer lifts its head, as if crying out.
Marc's own title was The trees showed their rings, the animals their veins. On the back of a study he wrote a line adapted from the Buddhist Dhammapada: And all being is flaming agony.
It was his friend Paul Klee who gave it the name we use today: Fate of the Animals.
A year later the First World War began, and Marc was called up. From the front, he wrote to his wife about this painting: It is like a premonition of this war, horrible and shattering. I can hardly conceive that I painted it.
In March 1916 he was killed near Verdun. He was thirty-six.
The painting is now in the Kunstmuseum Basel.
Find the blue deer, and then look up at the falling tree.
Fate of the Animals. Franz Marc, 1913.
How each piece is brought to life
Faithful to the original, and made to be felt on your wall.
Graded against the original
We compare every work with the original as we grade it, keeping the artist’s colours true while bringing back their depth and glow. Every mark stays the artist’s own.
Printed for you
Printed to order on cotton canvas or fine art paper, then framed if you chose a frame, in 1 to 3 business days.
On your wall
It arrives 5 to 12 business days later, tracked and free anywhere in the US. Framed pieces come ready to hang.
Questions
Is this the original painting?
No. The original hangs in a museum. What you receive is a fine art reproduction, remastered from the original and printed for you, with every mark where the artist left it.
Will the colour look flat?
This is where most reproductions disappoint, and it is where we spend the most time. Each work is graded side by side with the original: faithful to the artist’s colours, with the depth and warmth brought back, so it moves you on the wall the way it was meant to. Canvas reads a touch softer than a backlit screen, and every screen shows colour a little differently.
Will the edges be cropped?
Each size is a standard frame size, so we fit the painting by trimming a little from its edges. We never stretch or squash it, and we check every size by eye so no face, figure or signature is cut. On canvas the edges are mirror-wrapped, which keeps the whole picture on the front.
Which size is right for my wall?
Aim for about two-thirds the width of the furniture beneath it. Over a sofa or a sideboard, one of the two largest sizes will hold the wall. The size guide lists every size in inches and centimetres, with the kind of wall each one suits.
How long does it take?
Your piece is printed in 1–3 business days, then spends 5–12 business days in transit, tracked all the way. Delivery is free anywhere in the US. We are unable to deliver to PO boxes.
What if it arrives damaged?
Send us a photograph and we will remake it and send it again. There is nothing to return.
Can I return it?
Yes, within 30 days of delivery. Our returns policy has the details.
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Printed to order
Graded against the original, then printed for you on cotton canvas or fine art paper in 1–3 business days.
The whole painting
Every mark is the artist’s own, and canvas edges are mirror-wrapped so the whole picture stays on the front.
Free US shipping
On every order, tracked, 5–12 business days in transit.
30-day returns
Returns and exchanges within 30 days of delivery.
