Gustav Klimt
The Sunflower
From $80
This painting is every green of a summer hillside, and a cheap copy flattens the greens. Our Klimt Litzlberg print was graded from a high-resolution master so every leaf keeps its colour.
Stretched canvas. Printed on cotton canvas and stretched taut over a frame. The edges are mirror-wrapped, so the picture continues around the sides and none of it is lost to the fold.
Framed canvas. The same canvas, set in a black, white, natural wood or dark wood frame 0.83 in deep. The frame gives the work a finished edge and a little more presence on the wall.
Framed print. Printed on fine art matte paper and framed in solid pine, behind shatterproof plexiglass, in black, white, natural wood or dark wood. It arrives ready to hang. Framed sizes are measured on the outside of the frame.
Fine art print. Printed on 310gsm fine art matte paper, for framing your own way. It travels rolled and protected. From 18x24 inch.
16x16 inch, 20x20 inch, 24x24 inch, 30x30 inch. Framed sizes are measured on the outside of the frame, so the visible painting is a little smaller.
Its square shape suits a living room, a bedroom or a study. The greens look lovely with white, sage and natural oak, and a natural or white frame suits it.
About the painting
Litzlberg, on the north of the Attersee, was where Gustav Klimt first stayed in 1900, at the brewery inn. Around 1915 he painted it again: a wooded hillside, a green meadow, a village and a strip of lake.
It belonged to the industrialist Viktor Zuckerkandl and then to his sister, Amalie Redlich. In 1941 she was deported to Łódź, and her collection was taken.
From 1944 it was in museum collections in Salzburg. In 2011 the Museum der Moderne in Salzburg returned it to her grandson, Georges Jorisch, and that November it sold in New York for about 40 million dollars.
A wooded hillside, a pale green meadow, a village, and a strip of lake.
Litzlberg, on the north shore of the Attersee, was where Gustav Klimt first stayed in 1900, at the brewery inn. Around 1915, he painted it again.
The painting belonged to Viktor Zuckerkandl, an industrialist, and then to his sister, Amalie Redlich.
In 1941 she was deported to Łódź, in occupied Poland. Her collection was taken from her.
From 1944 the painting was in museum collections in Salzburg.
Decades later, a researcher traced its history. In 2011 the Museum der Moderne in Salzburg returned it to Amalie Redlich's grandson, Georges Jorisch.
That November, it was sold at auction in New York for about forty million dollars, and part of the money went back to the Salzburg museum.
Look at the meadow on the hillside, and then down at the lake.
Litzlberg on the Attersee. Gustav Klimt, about 1915.
Faithful to the original, and made to be felt on your wall.
We compare every work with the original as we grade it, keeping the artist’s colours true while bringing back their depth and glow. Every mark stays the artist’s own.
Printed to order on cotton canvas or fine art paper, then framed if you chose a frame, in 1 to 3 business days.
It arrives 5 to 12 business days later, tracked and free anywhere in the US. Framed pieces come ready to hang.
No. The original hangs in a museum. What you receive is a fine art reproduction, remastered from the original and printed for you, with every mark where the artist left it.
This is where most reproductions disappoint, and it is where we spend the most time. Each work is graded side by side with the original: faithful to the artist’s colours, with the depth and warmth brought back, so it moves you on the wall the way it was meant to. Canvas reads a touch softer than a backlit screen, and every screen shows colour a little differently.
Each size is a standard frame size, so we fit the painting by trimming a little from its edges. We never stretch or squash it, and we check every size by eye so no face, figure or signature is cut. On canvas the edges are mirror-wrapped, which keeps the whole picture on the front.
Aim for about two-thirds the width of the furniture beneath it. Over a sofa or a sideboard, one of the two largest sizes will hold the wall. The size guide lists every size in inches and centimetres, with the kind of wall each one suits.
Your piece is printed in 1–3 business days, then spends 5–12 business days in transit, tracked all the way. Delivery is free anywhere in the US. We are unable to deliver to PO boxes.
Send us a photograph and we will remake it and send it again. There is nothing to return.
Yes, within 30 days of delivery. Our returns policy has the details.
Printed to order
Graded against the original, then printed for you on cotton canvas or fine art paper in 1–3 business days.
The whole painting
Every mark is the artist’s own, and canvas edges are mirror-wrapped so the whole picture stays on the front.
Free US shipping
On every order, tracked, 5–12 business days in transit.
30-day returns
Returns and exchanges within 30 days of delivery.