Henri Matisse
A Glimpse of Notre-Dame in the Late Afternoon
From $80
This painting is golden yellows against deep, dark tones, and a dull copy turns the gold to brown. Our Henri Matisse Sunflowers in a Vase print was graded beside the museum’s own file so the yellows stay warm and the darks stay rich.
Stretched canvas. Printed on cotton canvas and stretched taut over a frame. The edges are mirror-wrapped, so the picture continues around the sides and none of it is lost to the fold.
Framed canvas. The same canvas, set in a black, white, natural wood or dark wood frame 0.83 in deep. The frame gives the work a finished edge and a little more presence on the wall.
Framed print. Printed on fine art matte paper and framed in solid pine, behind shatterproof plexiglass, in black, white, natural wood or dark wood. It arrives ready to hang. Framed sizes are measured on the outside of the frame.
Fine art print. Printed on 310gsm fine art matte paper, for framing your own way. It travels rolled and protected. From 18x24 inch.
12x16 inch, 18x24 inch, 30x40 inch. Framed sizes are measured on the outside of the frame, so the visible painting is a little smaller.
Its tall shape suits a kitchen, a hallway or a bedroom. The golden yellows look warm with cream, sage and oak, and a gold or natural frame suits it.
About the painting
In 1896, on the island of Belle-Île off Brittany, the painter John Russell showed the young Henri Matisse the work of Vincent van Gogh and gave him a Van Gogh drawing. Matisse gave up his earth colours for bright ones.
He painted these sunflowers around 1898, still a student, in the years he was finding his colour. In 1898 he also went to London to see the paintings of Turner.
He signed it twice, once as Henri Matisse and once as Henri-Matisse. It came to the National Gallery of Denmark in 1928, in the collection the Danish engineer Johannes Rump gave the nation.
In 1896, Henri Matisse was an unknown art student in Paris.
That year he visited the Australian painter John Russell, on the island of Belle-Île, off the coast of Brittany.
Russell had been a friend of Vincent van Gogh. He showed Matisse Van Gogh's work, and he gave him a Van Gogh drawing.
Matisse later said that Russell was his teacher. After that summer, he gave up his browns and earth colours for bright ones.
A couple of years later, around 1898, he painted these sunflowers.
Golden heads crowd a vase against a dark background, with a little vase and a patterned box beside them. The paint is thick and the light is warm.
It's hard not to think of Van Gogh's own sunflowers.
In 1898 Matisse also went to London to study the paintings of Turner, on the advice of Camille Pissarro. He was still finding his colour.
He signed it twice, once as Henri Matisse, and again below as Henri-Matisse.
It came to Copenhagen in 1928, in the collection the Danish engineer Johannes Rump gave to the National Gallery of Denmark.
Look at the yellow against the dark, and then find the two signatures.
Sunflowers in a Vase. Henri Matisse, around 1898.
Faithful to the original, and made to be felt on your wall.
We compare every work with the original as we grade it, keeping the artist’s colours true while bringing back their depth and glow. Every mark stays the artist’s own.
Printed to order on cotton canvas or fine art paper, then framed if you chose a frame, in 1 to 3 business days.
It arrives 5 to 12 business days later, tracked and free anywhere in the US. Framed pieces come ready to hang.
No. The original hangs in a museum. What you receive is a fine art reproduction, remastered from the original and printed for you, with every mark where the artist left it.
This is where most reproductions disappoint, and it is where we spend the most time. Each work is graded side by side with the original: faithful to the artist’s colours, with the depth and warmth brought back, so it moves you on the wall the way it was meant to. Canvas reads a touch softer than a backlit screen, and every screen shows colour a little differently.
Each size is a standard frame size, so we fit the painting by trimming a little from its edges. We never stretch or squash it, and we check every size by eye so no face, figure or signature is cut. On canvas the edges are mirror-wrapped, which keeps the whole picture on the front.
Aim for about two-thirds the width of the furniture beneath it. Over a sofa or a sideboard, one of the two largest sizes will hold the wall. The size guide lists every size in inches and centimetres, with the kind of wall each one suits.
Your piece is printed in 1–3 business days, then spends 5–12 business days in transit, tracked all the way. Delivery is free anywhere in the US. We are unable to deliver to PO boxes.
Send us a photograph and we will remake it and send it again. There is nothing to return.
Yes, within 30 days of delivery. Our returns policy has the details.
Printed to order
Graded against the original, then printed for you on cotton canvas or fine art paper in 1–3 business days.
The whole painting
Every mark is the artist’s own, and canvas edges are mirror-wrapped so the whole picture stays on the front.
Free US shipping
On every order, tracked, 5–12 business days in transit.
30-day returns
Returns and exchanges within 30 days of delivery.