Utagawa Hiroshige
Plum Park in Kameido
From $80
This print is a deep night sky full of tiny sparks, and a dull copy turns the night flat and the sparks grey. Our Hiroshige fireworks print was made from the Cleveland Museum of Art’s impression and graded so the night stays deep and every spark still shines.
Canvas, framed or paper
Stretched canvas. Printed on cotton canvas and stretched taut over a frame. The edges are mirror-wrapped, so the picture continues around the sides and none of it is lost to the fold.
Framed canvas. The same canvas, set in a black, white, natural wood or dark wood frame 0.83 in deep. The frame gives the work a finished edge and a little more presence on the wall.
Framed print. Printed on fine art matte paper and framed in solid pine, behind shatterproof plexiglass, in black, white, natural wood or dark wood. It arrives ready to hang. Framed sizes are measured on the outside of the frame.
Fine art print. Printed on 310gsm fine art matte paper, for framing your own way. It travels rolled and protected. From 18x24 inch.
Sizes
12x18 inch, 16x24 inch, 20x30 inch, 24x36 inch. Framed sizes are measured on the outside of the frame, so the visible painting is a little smaller.
On your wall
Its tall shape suits a hallway, a bedroom or a dark, dramatic wall. The deep blues and blacks look striking with charcoal, cream and brass, and a black frame suits it.
About the painting
Fireworks at Ryōgoku by Hiroshige
Ryōgoku Bridge
The Ryōgoku Bridge crossed the Sumida River and joined two busy parts of Edo, the city we now call Tokyo, and Hiroshige drew it again and again. This print comes from his series One Hundred Famous Views of Edo. It was published in 1858, the year he died.
Half the sky
Hiroshige gave nearly half the picture to the night sky: a rocket trails up into the dark and bursts, and sparks drift down. Below, people crowd the long bridge, and boats fill the river.
Paid for by the restaurants
In the 1850s the restaurants and shops along the river paid for these displays, and crowds watched from the bridge, the shore, teahouses and rented pleasure boats. This impression belongs to the Cleveland Museum of Art.
Read the story
Half of this picture is nothing but the night sky. Hiroshige wanted it that way.
It's Edo, the city we now call Tokyo, in the 1850s. A great earthquake has shaken it, and the city has rebuilt.
On summer nights, the restaurants and shops along the Sumida River pay for fireworks, and everyone comes to watch.
They crowd onto the Ryōgoku Bridge, a bridge Hiroshige drew again and again. They line the shore, fill the teahouses, and hire pleasure boats to sit out on the water.
Look up. A rocket trails into the dark and bursts, and sparks drift down like falling stars.
Below, the long bridge is packed, and the river is full of little boats.
Hiroshige made this print for his series One Hundred Famous Views of Edo. It came out in 1858, the year he died.
So this is one of the last things he showed his city: a night when everybody stopped to look up.
This impression belongs to the Cleveland Museum of Art.
Find the last spark, high in the dark.
Fireworks at Ryōgoku. Utagawa Hiroshige, 1858.
How each piece is brought to life
Faithful to the original, and made to be felt on your wall.
Graded against the original
We compare every work with the original as we grade it, keeping the artist’s colours true while bringing back their depth and glow. Every mark stays the artist’s own.
Printed for you
Printed to order on cotton canvas or fine art paper, then framed if you chose a frame, in 1 to 3 business days.
On your wall
It arrives 5 to 12 business days later, tracked and free anywhere in the US. Framed pieces come ready to hang.
Questions
Is this the original painting?
No. The original hangs in a museum. What you receive is a fine art reproduction, remastered from the original and printed for you, with every mark where the artist left it.
Will the colour look flat?
This is where most reproductions disappoint, and it is where we spend the most time. Each work is graded side by side with the original: faithful to the artist’s colours, with the depth and warmth brought back, so it moves you on the wall the way it was meant to. Canvas reads a touch softer than a backlit screen, and every screen shows colour a little differently.
Will the edges be cropped?
Each size is a standard frame size, so we fit the painting by trimming a little from its edges. We never stretch or squash it, and we check every size by eye so no face, figure or signature is cut. On canvas the edges are mirror-wrapped, which keeps the whole picture on the front.
Which size is right for my wall?
Aim for about two-thirds the width of the furniture beneath it. Over a sofa or a sideboard, one of the two largest sizes will hold the wall. The size guide lists every size in inches and centimetres, with the kind of wall each one suits.
How long does it take?
Your piece is printed in 1–3 business days, then spends 5–12 business days in transit, tracked all the way. Delivery is free anywhere in the US. We are unable to deliver to PO boxes.
What if it arrives damaged?
Send us a photograph and we will remake it and send it again. There is nothing to return.
Can I return it?
Yes, within 30 days of delivery. Our returns policy has the details.
-
Utagawa Hiroshige
Nissaka: The Night-Weeping Stone
From $100
-
Utagawa Hiroshige
Night Rain at Karasaki
From $80
-
Utagawa Hiroshige
Meguro Drum Bridge and Sunset Hill
From $80
-
Utagawa Hiroshige
Driving Rain at Shōno
From $80
-
Utagawa Hiroshige
Evening Snow at Asuka Hill
From $80
-
Utagawa Hiroshige
Evening Snow at Kambara
From $80
-
Utagawa Hiroshige
Sudden Shower over Shin-Ōhashi Bridge and Atake
From $80
Printed to order
Graded against the original, then printed for you on cotton canvas or fine art paper in 1–3 business days.
The whole painting
Every mark is the artist’s own, and canvas edges are mirror-wrapped so the whole picture stays on the front.
Free US shipping
On every order, tracked, 5–12 business days in transit.
30-day returns
Returns and exchanges within 30 days of delivery.
