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St Benedetto, Looking towards Fusina by J. M. W. Turner

J. M. W. Turner, 1843

$130.00

Item no. PDJTW036-00

Order within 31d 00h 08m 49s to have it by ChristmasOrder by Mon, Nov 30, 11:59 PM ET

Accurate without one accurate detail: J. M. W. Turner’s St Benedetto, on stretched canvas, framed, or on fine art paper.

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Subtotal $130.00
  • Printed to order in 1–3 business days
  • Free US shipping, tracked, 5–12 business days
  • 30-day returns and exchanges
  • Damage cover included: we remake and reship
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Questions about sizes or framing? Ask us

This painting is pale gold, cream and soft rose, and a cheap copy greys the light. Our Turner St Benedetto print was graded from a high-resolution master so the glow stays luminous.

Canvas, framed or paper

Stretched canvas. Printed on cotton canvas and stretched taut over a frame. The edges are mirror-wrapped, so the picture continues around the sides and none of it is lost to the fold.

Framed canvas. The same canvas, set in a black, white, natural wood or dark wood frame 0.83 in deep. The frame gives the work a finished edge and a little more presence on the wall.

Framed print. Printed on fine art matte paper and framed in solid pine, behind shatterproof plexiglass, in black, white, natural wood or dark wood. It arrives ready to hang. Framed sizes are measured on the outside of the frame.

Fine art print. Printed on 310gsm fine art matte paper, for framing your own way. It travels rolled and protected. From 18x24 inch.

Sizes

18x12 inch, 24x16 inch, 30x20 inch, 36x24 inch. Framed sizes are measured on the outside of the frame, so the visible painting is a little smaller.

On your wall

Its wide shape suits a living room, a bedroom or a hallway. The golds and creams look lovely with white, sand and natural oak, and a gold or white frame suits it.

About the painting

St Benedetto, Looking towards Fusina by J. M. W. Turner

Venice, 1843

J. M. W. Turner showed this view along the Giudecca canal toward Fusina at the Royal Academy in 1843. There is no church called St Benedetto there.

Ruskin’s praise

Ruskin wrote that, without one accurate detail, it came closer to the place than anything he had seen.

London

It came to the nation with the Turner Bequest in 1856.

Listen to the story

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Read the story

Black gondolas glide over pale golden water along a Venetian canal, under a soft, hazy sky.

J. M. W. Turner showed this view at the Royal Academy in 1843, one of several pictures of Venice he sent that year.

It looks along the Giudecca canal toward Fusina, on the mainland.

But there is a puzzle in the title. There is no church called St Benedetto at that spot. The critic John Ruskin thought Turner had misremembered the nearby San Biagio.

Ruskin did not mind. He wrote that, without one single accurate detail, it came closer to the real place than anything he had ever seen.

Look at how little is solid here: the buildings, the boats and the sky all melt into one warm light.

The painting came to the nation with the Turner Bequest in 1856, and hangs at Tate Britain.

St Benedetto, Looking towards Fusina. J. M. W. Turner, 1843.

How each piece is brought to life

Faithful to the original, and made to be felt on your wall.

  1. St Benedetto by Turner: black gondolas gliding on pale golden water along a Venetian canal under a hazy sky

    Graded against the original

    We compare every work with the original as we grade it, keeping the artist’s colours true while bringing back their depth and glow. Every mark stays the artist’s own.

  2. St Benedetto, Venice by J. M. W. Turner as a stretched canvas above a linen lounge chair in a reading corner

    Printed for you

    Printed to order on cotton canvas or fine art paper, then framed if you chose a frame, in 1 to 3 business days.

  3. St Benedetto, Venice by J. M. W. Turner framed in natural oak above a cream sofa in a warm living room

    On your wall

    It arrives 5 to 12 business days later, tracked and free anywhere in the US. Framed pieces come ready to hang.

Questions

Is this the original painting?

No. The original hangs in a museum. What you receive is a fine art reproduction, remastered from the original and printed for you, with every mark where the artist left it.

Will the colour look flat?

This is where most reproductions disappoint, and it is where we spend the most time. Each work is graded side by side with the original: faithful to the artist’s colours, with the depth and warmth brought back, so it moves you on the wall the way it was meant to. Canvas reads a touch softer than a backlit screen, and every screen shows colour a little differently.

Will the edges be cropped?

Each size is a standard frame size, so we fit the painting by trimming a little from its edges. We never stretch or squash it, and we check every size by eye so no face, figure or signature is cut. On canvas the edges are mirror-wrapped, which keeps the whole picture on the front.

Which size is right for my wall?

Aim for about two-thirds the width of the furniture beneath it. Over a sofa or a sideboard, one of the two largest sizes will hold the wall. The size guide lists every size in inches and centimetres, with the kind of wall each one suits.

How long does it take?

Your piece is printed in 1–3 business days, then spends 5–12 business days in transit, tracked all the way. Delivery is free anywhere in the US. We are unable to deliver to PO boxes.

What if it arrives damaged?

Send us a photograph and we will remake it and send it again. There is nothing to return.

Can I return it?

Yes, within 30 days of delivery. Our returns policy has the details.

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Printed to order

Graded against the original, then printed for you on cotton canvas or fine art paper in 1–3 business days.

The whole painting

Every mark is the artist’s own, and canvas edges are mirror-wrapped so the whole picture stays on the front.

Free US shipping

On every order, tracked, 5–12 business days in transit.

30-day returns

Returns and exchanges within 30 days of delivery.

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