Mary Cassatt
A Balcony in Seville
From $100
This painting is a woman in black against warm golds and reds, and a dark copy loses her dress in the shadows. Our Mary Cassatt In the Loge print was graded beside the original so the black keeps its folds and the theatre keeps its glow.
Canvas, framed or paper
Stretched canvas. Printed on cotton canvas and stretched taut over a frame. The edges are mirror-wrapped, so the picture continues around the sides and none of it is lost to the fold.
Framed canvas. The same canvas, set in a black, white, natural wood or dark wood frame 0.83 in deep. The frame gives the work a finished edge and a little more presence on the wall.
Framed print. Printed on fine art matte paper and framed in solid pine, behind shatterproof plexiglass, in black, white, natural wood or dark wood. It arrives ready to hang. Framed sizes are measured on the outside of the frame.
Fine art print. Printed on 310gsm fine art matte paper, for framing your own way. It travels rolled and protected. From 18x24 inch.
Sizes
16x20 inch, 24x30 inch, 32x40 inch. Framed sizes are measured on the outside of the frame, so the visible painting is a little smaller.
On your wall
Its upright shape suits a study, a hallway, a music room or a dressing room. The black, gold and red look rich with cream, burgundy and dark wood, and a black frame suits it.
About the painting
In the Loge by Mary Cassatt
A night at the opera
Mary Cassatt painted In the Loge in 1878. In Paris the opera was not only for music: it was a place to see and be seen, and one of the few public places a woman could freely go.
Watching and watched
A woman in black sits upright, her elbow on the rail, and raises her opera glasses. She is looking out, not posing. Across the theatre, in another box, a man has turned his own glasses on her.
Her own way
Renoir painted women at the opera too, to show off their looks. Cassatt gives hers something to do. The Museum of Fine Arts in Boston owns the painting, and a drawing she made for it.
Read the story
A woman is watching the stage. And someone is watching her.
It's 1878, at the opera in Paris. For Mary Cassatt, the opera was more than music. It was a place to see and be seen, and one of the few public places a woman could go freely.
Here, a woman in black sits upright in her box, elbow on the rail, and lifts her opera glasses.
She isn't posing for anyone. She's looking out, curious, at whatever has caught her attention.
But look across the theatre. In another box, a man has turned his own opera glasses on her.
Renoir painted women at the opera too, to show off their looks. Cassatt gives hers something to do.
The painting belongs to the Museum of Fine Arts in Boston, along with a drawing she made for it.
Find the woman's glasses, and then find the man's.
In the Loge. Mary Cassatt, 1878.
How each piece is brought to life
Faithful to the original, and made to be felt on your wall.
Graded against the original
We compare every work with the original as we grade it, keeping the artist’s colours true while bringing back their depth and glow. Every mark stays the artist’s own.
Printed for you
Printed to order on cotton canvas or fine art paper, then framed if you chose a frame, in 1 to 3 business days.
On your wall
It arrives 5 to 12 business days later, tracked and free anywhere in the US. Framed pieces come ready to hang.
Questions
Is this the original painting?
No. The original hangs in a museum. What you receive is a fine art reproduction, remastered from the original and printed for you, with every mark where the artist left it.
Will the colour look flat?
This is where most reproductions disappoint, and it is where we spend the most time. Each work is graded side by side with the original: faithful to the artist’s colours, with the depth and warmth brought back, so it moves you on the wall the way it was meant to. Canvas reads a touch softer than a backlit screen, and every screen shows colour a little differently.
Will the edges be cropped?
Each size is a standard frame size, so we fit the painting by trimming a little from its edges. We never stretch or squash it, and we check every size by eye so no face, figure or signature is cut. On canvas the edges are mirror-wrapped, which keeps the whole picture on the front.
Which size is right for my wall?
Aim for about two-thirds the width of the furniture beneath it. Over a sofa or a sideboard, one of the two largest sizes will hold the wall. The size guide lists every size in inches and centimetres, with the kind of wall each one suits.
How long does it take?
Your piece is printed in 1–3 business days, then spends 5–12 business days in transit, tracked all the way. Delivery is free anywhere in the US. We are unable to deliver to PO boxes.
What if it arrives damaged?
Send us a photograph and we will remake it and send it again. There is nothing to return.
Can I return it?
Yes, within 30 days of delivery. Our returns policy has the details.
-
Mary Cassatt
Young Mother Sewing
From $100
-
Mary Cassatt
Woman with a Pearl Necklace in a Loge
From $100
-
Mary Cassatt
The Cup of Tea
From $100
-
Mary Cassatt
A Woman and a Girl Driving
From $80
-
Mary Cassatt
The Boating Party
From $80
-
Mary Cassatt
Lydia Crocheting in the Garden at Marly
From $80
-
Mary Cassatt
Lady at the Tea Table
From $100
-
Mary Cassatt
Little Girl in a Blue Armchair
From $80
Printed to order
Graded against the original, then printed for you on cotton canvas or fine art paper in 1–3 business days.
The whole painting
Every mark is the artist’s own, and canvas edges are mirror-wrapped so the whole picture stays on the front.
Free US shipping
On every order, tracked, 5–12 business days in transit.
30-day returns
Returns and exchanges within 30 days of delivery.
