Paul Cézanne
The Road Bridge at L’Estaque
From $100
Cézanne built this view from blocky patches of green, red and grey, and a soft copy melts them together. Our Cézanne Auvers print was graded beside the original so every rooftop keeps its shape and the green fields stretch clean to the horizon.
Canvas, framed or paper
Stretched canvas. Printed on cotton canvas and stretched taut over a frame. The edges are mirror-wrapped, so the picture continues around the sides and none of it is lost to the fold.
Framed canvas. The same canvas, set in a black, white, natural wood or dark wood frame 0.83 in deep. The frame gives the work a finished edge and a little more presence on the wall.
Framed print. Printed on fine art matte paper and framed in solid pine, behind shatterproof plexiglass, in black, white, natural wood or dark wood. It arrives ready to hang. Framed sizes are measured on the outside of the frame.
Fine art print. Printed on 310gsm fine art matte paper, for framing your own way. It travels rolled and protected. From 18x24 inch.
Sizes
20x16 inch, 30x24 inch, 40x32 inch. Framed sizes are measured on the outside of the frame, so the visible painting is a little smaller.
On your wall
Its wide shape suits a living room, an office or the wall above a sofa. The greens and reds look calm with white, sage and natural oak, and a natural or gold frame suits it.
About the painting
Auvers, Panoramic View by Paul Cézanne
Auvers, 1873
In the early 1870s Paul Cézanne spent his first long stay at the village of Auvers. There he was mentored by the Impressionist painter Camille Pissarro.
Over the rooftops
He chose an unusual view: looking down onto the rooftops of Auvers and out over the countryside. He painted it in blocky, energetic patches of colour, and in some places, at the lower left and the centre, the brushwork is so ragged it looks unfinished.
The feeling of seeing
That was radical then. Cézanne was trying to show not just how the landscape looked, but how it felt to see it and paint it. The first owner was Dr Paul Gachet of Auvers. It now belongs to the Art Institute of Chicago.
Read the story
This painting looks down over a whole village.
In the early 1870s, Paul Cézanne spent his first long stay at the village of Auvers. There, the Impressionist Camille Pissarro became his mentor.
Cézanne was in his mid-thirties.
He chose an unusual view: looking down over the rooftops of Auvers, and out across the countryside.
He painted it in blocky, energetic patches of colour.
In some places, at the lower left and in the middle, the brushwork is so ragged it looks unfinished.
That was radical at the time. Cézanne was trying to show not just how the landscape looked, but how it felt to see it, and to paint it.
Its first owner was Dr Paul Gachet of Auvers.
Today it belongs to the Art Institute of Chicago.
Look at the rooftops, and then let your eye run out to the fields.
Auvers, Panoramic View. Paul Cézanne, 1873 to 1875.
How each piece is brought to life
Faithful to the original, and made to be felt on your wall.
Graded against the original
We compare every work with the original as we grade it, keeping the artist’s colours true while bringing back their depth and glow. Every mark stays the artist’s own.
Printed for you
Printed to order on cotton canvas or fine art paper, then framed if you chose a frame, in 1 to 3 business days.
On your wall
It arrives 5 to 12 business days later, tracked and free anywhere in the US. Framed pieces come ready to hang.
Questions
Is this the original painting?
No. The original hangs in a museum. What you receive is a fine art reproduction, remastered from the original and printed for you, with every mark where the artist left it.
Will the colour look flat?
This is where most reproductions disappoint, and it is where we spend the most time. Each work is graded side by side with the original: faithful to the artist’s colours, with the depth and warmth brought back, so it moves you on the wall the way it was meant to. Canvas reads a touch softer than a backlit screen, and every screen shows colour a little differently.
Will the edges be cropped?
Each size is a standard frame size, so we fit the painting by trimming a little from its edges. We never stretch or squash it, and we check every size by eye so no face, figure or signature is cut. On canvas the edges are mirror-wrapped, which keeps the whole picture on the front.
Which size is right for my wall?
Aim for about two-thirds the width of the furniture beneath it. Over a sofa or a sideboard, one of the two largest sizes will hold the wall. The size guide lists every size in inches and centimetres, with the kind of wall each one suits.
How long does it take?
Your piece is printed in 1–3 business days, then spends 5–12 business days in transit, tracked all the way. Delivery is free anywhere in the US. We are unable to deliver to PO boxes.
What if it arrives damaged?
Send us a photograph and we will remake it and send it again. There is nothing to return.
Can I return it?
Yes, within 30 days of delivery. Our returns policy has the details.
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Printed to order
Graded against the original, then printed for you on cotton canvas or fine art paper in 1–3 business days.
The whole painting
Every mark is the artist’s own, and canvas edges are mirror-wrapped so the whole picture stays on the front.
Free US shipping
On every order, tracked, 5–12 business days in transit.
30-day returns
Returns and exchanges within 30 days of delivery.
