Vincent van Gogh
Prisoners Exercising
From $100
This still life is all browns, siennas and ochres, and a heavy copy turns it to mud. Our Van Gogh basket of potatoes print was graded beside the original so every brown stays distinct and the potatoes keep their shape.
Stretched canvas. Printed on cotton canvas and stretched taut over a frame. The edges are mirror-wrapped, so the picture continues around the sides and none of it is lost to the fold.
Framed canvas. The same canvas, set in a black, white, natural wood or dark wood frame 0.83 in deep. The frame gives the work a finished edge and a little more presence on the wall.
Framed print. Printed on fine art matte paper and framed in solid pine, behind shatterproof plexiglass, in black, white, natural wood or dark wood. It arrives ready to hang. Framed sizes are measured on the outside of the frame.
Fine art print. Printed on 310gsm fine art matte paper, for framing your own way. It travels rolled and protected. From 18x24 inch.
16x12 inch, 20x16 inch, 24x18 inch, 30x24 inch. Framed sizes are measured on the outside of the frame, so the visible painting is a little smaller.
Its landscape shape suits a kitchen, a dining room or a farmhouse hallway. The browns and ochres look warm with cream, rust and walnut, and a dark wood frame suits it.
About the painting
In the autumn of 1885 Vincent van Gogh was in his last months in Nuenen, the Dutch village where he had painted The Potato Eaters that spring. Now he painted the potatoes themselves, in a series of still lifes.
There were three, he wrote: “one is a study in sienna, the other in burnt sienna, the other in yellow ochre and red ochre.” Theo saw in them “a variation on the brown-grey theme — that’s very definitely the case.”
“This gives me immense pleasure,” he wrote, “that either by direct or by indirect personal feeling you notice a colour combination.” Within months he would be in Paris, painting in colour. It belongs to the Van Gogh Museum in Amsterdam.
In the year of The Potato Eaters, Vincent van Gogh painted the potatoes themselves.
It's the autumn of 1885, in Nuenen, the Dutch village where his family lives. In the spring he painted The Potato Eaters, a peasant family at their supper.
Now, in his last months in Holland, he paints still lifes of potatoes in a basket.
There are three of them, he writes to his brother Theo, and each is a study in a different brown. One is a study in sienna, another in burnt sienna, and the other in yellow ochre and red ochre.
Theo writes back that they look like a variation on a brown-grey theme. Vincent agrees. That's very definitely the case, he says.
And he's delighted that Theo noticed. This gives me immense pleasure, he writes, that you notice a colour combination.
A few months later he moves to Paris, and his palette explodes into colour.
Today this painting belongs to the Van Gogh Museum in Amsterdam.
Look at all those browns in a simple basket of potatoes, and see a painter teaching himself colour.
Basket of Potatoes. Vincent van Gogh, 1885.
Faithful to the original, and made to be felt on your wall.
We compare every work with the original as we grade it, keeping the artist’s colours true while bringing back their depth and glow. Every mark stays the artist’s own.
Printed to order on cotton canvas or fine art paper, then framed if you chose a frame, in 1 to 3 business days.
It arrives 5 to 12 business days later, tracked and free anywhere in the US. Framed pieces come ready to hang.
No. The original hangs in a museum. What you receive is a fine art reproduction, remastered from the original and printed for you, with every mark where the artist left it.
This is where most reproductions disappoint, and it is where we spend the most time. Each work is graded side by side with the original: faithful to the artist’s colours, with the depth and warmth brought back, so it moves you on the wall the way it was meant to. Canvas reads a touch softer than a backlit screen, and every screen shows colour a little differently.
Each size is a standard frame size, so we fit the painting by trimming a little from its edges. We never stretch or squash it, and we check every size by eye so no face, figure or signature is cut. On canvas the edges are mirror-wrapped, which keeps the whole picture on the front.
Aim for about two-thirds the width of the furniture beneath it. Over a sofa or a sideboard, one of the two largest sizes will hold the wall. The size guide lists every size in inches and centimetres, with the kind of wall each one suits.
Your piece is printed in 1–3 business days, then spends 5–12 business days in transit, tracked all the way. Delivery is free anywhere in the US. We are unable to deliver to PO boxes.
Send us a photograph and we will remake it and send it again. There is nothing to return.
Yes, within 30 days of delivery. Our returns policy has the details.
Printed to order
Graded against the original, then printed for you on cotton canvas or fine art paper in 1–3 business days.
The whole painting
Every mark is the artist’s own, and canvas edges are mirror-wrapped so the whole picture stays on the front.
Free US shipping
On every order, tracked, 5–12 business days in transit.
30-day returns
Returns and exchanges within 30 days of delivery.