Vincent van Gogh
Prisoners Exercising
From $100
This garden is red ochre trunks and grey-greens under a yellow sky, and a dull copy loses the last light. Our Van Gogh garden of Saint Paul’s hospital print was graded beside the original so the ochres glow and the black outlines stay sharp.
Canvas, framed or paper
Stretched canvas. Printed on cotton canvas and stretched taut over a frame. The edges are mirror-wrapped, so the picture continues around the sides and none of it is lost to the fold.
Framed canvas. The same canvas, set in a black, white, natural wood or dark wood frame 0.83 in deep. The frame gives the work a finished edge and a little more presence on the wall.
Framed print. Printed on fine art matte paper and framed in solid pine, behind shatterproof plexiglass, in black, white, natural wood or dark wood. It arrives ready to hang. Framed sizes are measured on the outside of the frame.
Fine art print. Printed on 310gsm fine art matte paper, for framing your own way. It travels rolled and protected. From 18x24 inch.
Sizes
20x16 inch, 30x24 inch. Framed sizes are measured on the outside of the frame, so the visible painting is a little smaller.
On your wall
Its landscape shape suits a study, a living room or a hallway. The ochres, greens and yellow look rich with olive, rust and walnut, and a dark wood frame suits it.
About the painting
The Garden of Saint Paul’s Hospital by Vincent van Gogh
Saint-Rémy, autumn 1889
In the autumn of 1889 Vincent van Gogh was a patient at the asylum of Saint-Paul at Saint-Rémy, and he painted its garden. “There’s already more character,” he wrote, “in a large landscape with pines, red ochre trunks defined by a black line.”
After the rain
He described it to his friend Émile Bernard: a great pine struck by lightning, the last rose fading in front of it, empty stone benches, “the sky reflected yellow in a puddle after the rain,” and “small dark figures” prowling between the trunks.
Seeing red
The red ochre, the green “saddened with grey” and the black outlines, he wrote, gave a little of the anxiety his fellow patients often felt, “which is called ‘seeing red’.” The painting belongs to the Museum Folkwang in Essen, Germany.
Read the story
Vincent van Gogh painted this garden to show what his fellow patients felt.
It's the autumn of 1889, at the asylum of Saint-Paul, in Saint-Rémy. Vincent has lived here for six months.
He paints the asylum garden at the end of the day: twisted pines with red ochre trunks, outlined in black, under a yellow sky.
He describes it to his friend Émile Bernard. A great pine has been struck by lightning, and in front of it, the last rose on the bush is fading, with a pale smile.
Under the trees, empty stone benches. The sky is reflected yellow in a puddle after the rain.
A ray of sun, the last glimmer, turns the dark ochre to orange, and small dark figures prowl here and there between the trunks.
Then he explains the colours. The red ochre, the green saddened with grey, the black lines. All this, he says, gives a little of the feeling of anxiety that some of my companions in misfortune often suffer from, which is called seeing red.
Today the painting belongs to the Museum Folkwang in Essen, in Germany.
Look at those small figures among the trees, and see the garden as the patients saw it.
The Garden of Saint Paul's Hospital. Vincent van Gogh, 1889.
How each piece is brought to life
Faithful to the original, and made to be felt on your wall.
Graded against the original
We compare every work with the original as we grade it, keeping the artist’s colours true while bringing back their depth and glow. Every mark stays the artist’s own.
Printed for you
Printed to order on cotton canvas or fine art paper, then framed if you chose a frame, in 1 to 3 business days.
On your wall
It arrives 5 to 12 business days later, tracked and free anywhere in the US. Framed pieces come ready to hang.
Questions
Is this the original painting?
No. The original hangs in a museum. What you receive is a fine art reproduction, remastered from the original and printed for you, with every mark where the artist left it.
Will the colour look flat?
This is where most reproductions disappoint, and it is where we spend the most time. Each work is graded side by side with the original: faithful to the artist’s colours, with the depth and warmth brought back, so it moves you on the wall the way it was meant to. Canvas reads a touch softer than a backlit screen, and every screen shows colour a little differently.
Will the edges be cropped?
Each size is a standard frame size, so we fit the painting by trimming a little from its edges. We never stretch or squash it, and we check every size by eye so no face, figure or signature is cut. On canvas the edges are mirror-wrapped, which keeps the whole picture on the front.
Which size is right for my wall?
Aim for about two-thirds the width of the furniture beneath it. Over a sofa or a sideboard, one of the two largest sizes will hold the wall. The size guide lists every size in inches and centimetres, with the kind of wall each one suits.
How long does it take?
Your piece is printed in 1–3 business days, then spends 5–12 business days in transit, tracked all the way. Delivery is free anywhere in the US. We are unable to deliver to PO boxes.
What if it arrives damaged?
Send us a photograph and we will remake it and send it again. There is nothing to return.
Can I return it?
Yes, within 30 days of delivery. Our returns policy has the details.
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Printed to order
Graded against the original, then printed for you on cotton canvas or fine art paper in 1–3 business days.
The whole painting
Every mark is the artist’s own, and canvas edges are mirror-wrapped so the whole picture stays on the front.
Free US shipping
On every order, tracked, 5–12 business days in transit.
30-day returns
Returns and exchanges within 30 days of delivery.
