Vincent van Gogh
Prisoners Exercising
From $100
This portrait is all greens and soft stripes, laid on in short, curving strokes, and a flat copy loses the garden. Our Van Gogh The Gardener print was graded beside the original so the greens stay fresh and the face keeps its warmth.
Stretched canvas. Printed on cotton canvas and stretched taut over a frame. The edges are mirror-wrapped, so the picture continues around the sides and none of it is lost to the fold.
Framed canvas. The same canvas, set in a black, white, natural wood or dark wood frame 0.83 in deep. The frame gives the work a finished edge and a little more presence on the wall.
Framed print. Printed on fine art matte paper and framed in solid pine, behind shatterproof plexiglass, in black, white, natural wood or dark wood. It arrives ready to hang. Framed sizes are measured on the outside of the frame.
Fine art print. Printed on 310gsm fine art matte paper, for framing your own way. It travels rolled and protected. From 18x24 inch.
16x20 inch, 24x30 inch, 32x40 inch. Framed sizes are measured on the outside of the frame, so the visible painting is a little smaller.
Its upright shape suits a study, a hallway or a garden room. The greens and soft pinks look fresh with white, sage and natural wood, and a natural or white frame suits it.
About the painting
In September 1889 Vincent van Gogh was a patient at the asylum in Saint-Rémy, and he wanted to paint people. “The will that I have to do portraits these days is terribly strong,” he wrote. Nobody knows who this young man was; one idea is that he was the asylum’s gardener.
Vincent never mentioned the painting in a letter. It went to a collector in Florence in 1910, was hidden during the war, and was moved to Rome when Florence flooded in 1966. In 1989 the Italian State stepped in to buy it.
In May 1998 thieves took it from the National Gallery of Modern Art in Rome, together with two other paintings. All three were recovered forty-six days later, and it hangs in that museum today.
Nobody knows the name of this young man, but his portrait has had quite a life.
It's September 1889. Vincent van Gogh is a patient at the asylum of Saint-Rémy, in Provence.
He wants to paint people again. The will that I have to do portraits these days is terribly strong, he writes to his brother.
So he paints this young man in a wide hat and a striped shirt, smiling a little, against a bright green garden.
Vincent never mentions the picture in a letter. One idea is that the sitter was the asylum's gardener.
In 1910 a collector in Florence buys the painting. During the Second World War, its owner hides it.
In 1966, when the river floods Florence, it's carried to safety in Rome.
Years later the Italian State steps in and buys it, and it goes to the National Gallery of Modern Art in Rome.
Then, one night in May 1998, thieves break in and take it, along with two other paintings.
Forty-six days later, all three are found.
The gardener is back on the wall in Rome today.
Look at his small smile, and think of everything he has been through since he sat for Vincent.
The Gardener. Vincent van Gogh, 1889.
Faithful to the original, and made to be felt on your wall.
We compare every work with the original as we grade it, keeping the artist’s colours true while bringing back their depth and glow. Every mark stays the artist’s own.
Printed to order on cotton canvas or fine art paper, then framed if you chose a frame, in 1 to 3 business days.
It arrives 5 to 12 business days later, tracked and free anywhere in the US. Framed pieces come ready to hang.
No. The original hangs in a museum. What you receive is a fine art reproduction, remastered from the original and printed for you, with every mark where the artist left it.
This is where most reproductions disappoint, and it is where we spend the most time. Each work is graded side by side with the original: faithful to the artist’s colours, with the depth and warmth brought back, so it moves you on the wall the way it was meant to. Canvas reads a touch softer than a backlit screen, and every screen shows colour a little differently.
Each size is a standard frame size, so we fit the painting by trimming a little from its edges. We never stretch or squash it, and we check every size by eye so no face, figure or signature is cut. On canvas the edges are mirror-wrapped, which keeps the whole picture on the front.
Aim for about two-thirds the width of the furniture beneath it. Over a sofa or a sideboard, one of the two largest sizes will hold the wall. The size guide lists every size in inches and centimetres, with the kind of wall each one suits.
Your piece is printed in 1–3 business days, then spends 5–12 business days in transit, tracked all the way. Delivery is free anywhere in the US. We are unable to deliver to PO boxes.
Send us a photograph and we will remake it and send it again. There is nothing to return.
Yes, within 30 days of delivery. Our returns policy has the details.
Printed to order
Graded against the original, then printed for you on cotton canvas or fine art paper in 1–3 business days.
The whole painting
Every mark is the artist’s own, and canvas edges are mirror-wrapped so the whole picture stays on the front.
Free US shipping
On every order, tracked, 5–12 business days in transit.
30-day returns
Returns and exchanges within 30 days of delivery.