Vincent van Gogh
Prisoners Exercising
From $100
This picture swirls with yellows, blues and greens, and a dull copy flattens the movement. Our Van Gogh the good Samaritan print was graded beside the original so the colours stay strong and the figures keep their weight.
Canvas, framed or paper
Stretched canvas. Printed on cotton canvas and stretched taut over a frame. The edges are mirror-wrapped, so the picture continues around the sides and none of it is lost to the fold.
Framed canvas. The same canvas, set in a black, white, natural wood or dark wood frame 0.83 in deep. The frame gives the work a finished edge and a little more presence on the wall.
Framed print. Printed on fine art matte paper and framed in solid pine, behind shatterproof plexiglass, in black, white, natural wood or dark wood. It arrives ready to hang. Framed sizes are measured on the outside of the frame.
Fine art print. Printed on 310gsm fine art matte paper, for framing your own way. It travels rolled and protected. From 18x24 inch.
Sizes
12x16 inch, 18x24 inch, 30x40 inch. Framed sizes are measured on the outside of the frame, so the visible painting is a little smaller.
On your wall
Its upright shape suits a study, a hallway or a quiet room. The yellows, blues and greens look rich with navy, ochre and walnut, and a dark wood frame suits it.
About the painting
The Good Samaritan (after Delacroix) by Vincent van Gogh
Saint-Rémy, May 1890
In the asylum at Saint-Rémy, Vincent van Gogh copied prints after painters he admired. “It’s a study I need, for I want to learn,” he wrote. “Although copying may be the old system, that absolutely doesn’t bother me at all.” He had a print of Delacroix’s Good Samaritan.
The parable
In the story from the Gospel of Luke, a Samaritan stops to help a wounded traveller whom others have passed by. Here he heaves the man up onto his horse, the road winding away behind them.
His last days there
In early May 1890, days before he left the asylum, he wrote: “I’ve also attempted a copy of Delacroix’s Good Samaritan.” The painting belongs to the Kröller-Müller Museum in the Netherlands.
Read the story
In his last days at the asylum, Vincent van Gogh painted a story about a stranger who stops to help.
It's May 1890, at Saint-Rémy. For months Vincent has been copying prints after painters he admires.
It's a study I need, for I want to learn, he writes. Although copying may be the old system, that absolutely doesn't bother me at all.
He has a print of a painting by Eugène Delacroix, The Good Samaritan.
It tells the story from the Gospel of Luke. A traveller is robbed and left wounded by the road. Others pass him by. Then a Samaritan, a stranger, stops and helps him.
In Vincent's picture, the Samaritan heaves the wounded man up onto his horse, the road winding away behind them, in swirling yellows, blues and greens.
A few days before he leaves the asylum for good, he writes to his brother Theo. I've also attempted a copy of Delacroix's Good Samaritan.
Today the painting belongs to the Kröller-Müller Museum in the Netherlands.
Look at the strength in that lifting, and think of a man who knew what it meant to be helped.
The Good Samaritan. Vincent van Gogh, 1890.
How each piece is brought to life
Faithful to the original, and made to be felt on your wall.
Graded against the original
We compare every work with the original as we grade it, keeping the artist’s colours true while bringing back their depth and glow. Every mark stays the artist’s own.
Printed for you
Printed to order on cotton canvas or fine art paper, then framed if you chose a frame, in 1 to 3 business days.
On your wall
It arrives 5 to 12 business days later, tracked and free anywhere in the US. Framed pieces come ready to hang.
Questions
Is this the original painting?
No. The original hangs in a museum. What you receive is a fine art reproduction, remastered from the original and printed for you, with every mark where the artist left it.
Will the colour look flat?
This is where most reproductions disappoint, and it is where we spend the most time. Each work is graded side by side with the original: faithful to the artist’s colours, with the depth and warmth brought back, so it moves you on the wall the way it was meant to. Canvas reads a touch softer than a backlit screen, and every screen shows colour a little differently.
Will the edges be cropped?
Each size is a standard frame size, so we fit the painting by trimming a little from its edges. We never stretch or squash it, and we check every size by eye so no face, figure or signature is cut. On canvas the edges are mirror-wrapped, which keeps the whole picture on the front.
Which size is right for my wall?
Aim for about two-thirds the width of the furniture beneath it. Over a sofa or a sideboard, one of the two largest sizes will hold the wall. The size guide lists every size in inches and centimetres, with the kind of wall each one suits.
How long does it take?
Your piece is printed in 1–3 business days, then spends 5–12 business days in transit, tracked all the way. Delivery is free anywhere in the US. We are unable to deliver to PO boxes.
What if it arrives damaged?
Send us a photograph and we will remake it and send it again. There is nothing to return.
Can I return it?
Yes, within 30 days of delivery. Our returns policy has the details.
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Printed to order
Graded against the original, then printed for you on cotton canvas or fine art paper in 1–3 business days.
The whole painting
Every mark is the artist’s own, and canvas edges are mirror-wrapped so the whole picture stays on the front.
Free US shipping
On every order, tracked, 5–12 business days in transit.
30-day returns
Returns and exchanges within 30 days of delivery.
