Printed to order

Goten Hill at Shinagawa on the Tōkaidō by Hokusai

Katsushika Hokusai, c. 1830–1832

$130.00

Item no. PDKHW007-00

Order within 31d 21h 42m 35s to have it by ChristmasOrder by Mon, Nov 30, 11:59 PM ET

Cherry blossom picnics above Edo Bay: Hokusai’s Goten Hill at Shinagawa on the Tōkaidō, on stretched canvas, framed, or on fine paper.

Format

Stretched canvasfrom $130 Framed canvasfrom $160 Framed printfrom $160 Fine art printfrom $80

Size

Which size fits your wall

Every size keeps the painting's own proportions. Framed sizes are measured on the outside of the frame, so the visible painting is a little smaller.

18 × 12 in 46 × 30 cm

Three-seat sofa, 84 in wide × 34 in tall (213 × 86 cm)

Size	Metric	Where it works
18 × 12 in	46 × 30 cm	Plays well with others: the middle of a gallery wall, a pair side by side, or a hallway on its own.
24 × 16 in	61 × 41 cm	Holds a wall on its own above a dresser, console or sideboard. Above a bed or a sofa, hang two side by side.
30 × 20 in	76 × 51 cm	Holds a wall on its own above a dresser, console or sideboard. Above a bed or a sofa, hang two side by side.
36 × 24 in	91 × 61 cm	A statement piece. Big enough to anchor a living room or dining room wall alone, or to hang above a queen bed or a fireplace.

Rule of thumb: choose art about two-thirds the width of the furniture beneath it.

18 × 12 in46 × 30 cm 24 × 16 in61 × 41 cm 30 × 20 in76 × 51 cm 36 × 24 in91 × 61 cm

Frame

Black White Natural wood Dark wood

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We write it on a card and tuck it in behind the painting. The price never appears in the box.

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Subtotal $130.00

Printed to order in 1–3 business days
Free US shipping, tracked, 5–12 business days
30-day returns and exchanges
Damage cover included: we remake and reship

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Questions about sizes or framing? Ask us

This print is pink blossom, fresh green hills and a blue bay, and a dull copy greys the blossom. Our Hokusai Goten Hill print was graded from the Library of Congress’s photograph, so the cherries stay pink and the bay stays blue.

Canvas, framed or paper

Stretched canvas. Printed on cotton canvas and stretched taut over a frame. The edges are mirror-wrapped, so the picture continues around the sides and none of it is lost to the fold.

Framed canvas. The same canvas, set in a black, white, natural wood or dark wood frame 0.83 in deep. The frame gives the work a finished edge and a little more presence on the wall.

Framed print. Printed on fine art matte paper and framed in solid pine, behind shatterproof plexiglass, in black, white, natural wood or dark wood. It arrives ready to hang. Framed sizes are measured on the outside of the frame.

Fine art print. Printed on 310gsm fine art matte paper, for framing your own way. It travels rolled and protected. From 18x24 inch.

Sizes

18x12 inch, 24x16 inch, 30x20 inch, 36x24 inch. Framed sizes are measured on the outside of the frame, so the visible painting is a little smaller.

On your wall

Its wide shape suits a living room, a bedroom or a dining room, and it is lovely in spring. The pinks, greens and blues look fresh with white, sage and pale wood, and a natural or white frame suits it.

About the painting

Goten Hill at Shinagawa on the Tōkaidō by Hokusai

Shinagawa

Shinagawa was one of the four gateways into Edo, the first stop on the Tōkaidō road. Above it rose Goten Hill, where the shogun Tokugawa Yoshimune had planted cherry trees, and it became a favourite spot for blossom picnics. Hokusai drew it around 1830 to 1832.

Under the blossom

Ordinary people of Edo stroll and picnic under pink cherry trees, and across the bay Mount Fuji rises white. The waves in the bay are printed straight from the grain of the wood. One man carries a bundle marked with the crest of Eijudō, Hokusai’s publisher: a little advert.

A view that can’t be seen

From Goten Hill the bay lies east, and Fuji is to the west, so this view could never really be seen. Hokusai simply turned the world to make a better picture, and trimmed the branches so they don’t hide the mountain.

Listen to the story

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Read the story

This is a picnic under the cherry blossom, and a view that no one could ever really see.

Shinagawa was the first stop on the Tōkaidō road out of Edo, one of the city's four great gateways.

Above it rose Goten Hill. A shogun had planted cherry trees there, and it became a favourite place for blossom picnics.

Around 1830, Katsushika Hokusai, at seventy, draws it for his Thirty-six Views of Mount Fuji.

Ordinary people stroll and sit under the pink trees. Across the bay, Mount Fuji rises, white.

But from Goten Hill, the bay lies to the east, and Fuji is to the west. Hokusai has simply turned the world round, to make a better picture.

He even seems to have trimmed the branches, so they don't hide the mountain.

The waves in the bay are printed straight from the grain of the woodblock.

And look at the bottom right: a man carries a bundle marked with the crest of Eijudō, Hokusai's publisher. A little advertisement, hidden in the crowd.

Find the man with the bundle, and then the mountain across the water.

Goten Hill at Shinagawa. Katsushika Hokusai, about 1831.

Hokusai as an Old Man, after a drawing attributed to Hokusai. Woodblock print, 1900. Freer Gallery of Art.

The artist

Katsushika Hokusai

1760–1849 · Ukiyo-e

Japanese painter and printmaker of the Edo period, who worked for some seventy years and signed his work under many names. He was in his seventies when Thirty-six Views of Mount Fuji appeared, the series that carried his name around the world.

More by Katsushika Hokusai

The original

Artist: Katsushika Hokusai (1760–1849)
Date: c. 1830–1832
Medium: Colour woodblock print on paper
Where it hangs today: This impression: Library of Congress, Washington
Originals: One impression of a print made in many
Original size: About 27 × 39 cm

Graded against the original: true to the artist’s colours, brought back to life for your wall.

How each piece is brought to life

Faithful to the original, and made to be felt on your wall.

Graded against the original

We compare every work with the original as we grade it, keeping the artist’s colours true while bringing back their depth and glow. Every mark stays the artist’s own.
Printed for you

Printed to order on cotton canvas or fine art paper, then framed if you chose a frame, in 1 to 3 business days.
On your wall

It arrives 5 to 12 business days later, tracked and free anywhere in the US. Framed pieces come ready to hang.

Questions

Is this the original painting?

No. The original hangs in a museum. What you receive is a fine art reproduction, remastered from the original and printed for you, with every mark where the artist left it.

Will the colour look flat?

This is where most reproductions disappoint, and it is where we spend the most time. Each work is graded side by side with the original: faithful to the artist’s colours, with the depth and warmth brought back, so it moves you on the wall the way it was meant to. Canvas reads a touch softer than a backlit screen, and every screen shows colour a little differently.

Will the edges be cropped?

Each size is a standard frame size, so we fit the painting by trimming a little from its edges. We never stretch or squash it, and we check every size by eye so no face, figure or signature is cut. On canvas the edges are mirror-wrapped, which keeps the whole picture on the front.

Which size is right for my wall?

Aim for about two-thirds the width of the furniture beneath it. Over a sofa or a sideboard, one of the two largest sizes will hold the wall. The size guide lists every size in inches and centimetres, with the kind of wall each one suits.

How long does it take?

Your piece is printed in 1–3 business days, then spends 5–12 business days in transit, tracked all the way. Delivery is free anywhere in the US. We are unable to deliver to PO boxes.

What if it arrives damaged?

Send us a photograph and we will remake it and send it again. There is nothing to return.

Can I return it?

Yes, within 30 days of delivery. Our returns policy has the details.