Katsushika Hokusai
Fuji from Kanaya on the Tōkaidō
From $80
This print is blue water, pale sky, a green rock and one red jacket, and a flat copy loses the detail in the waves. Our Hokusai Kajikazawa print was graded so the blues stay deep, the foam stays crisp and the fisherman’s red still catches the eye.
Stretched canvas. Printed on cotton canvas and stretched taut over a frame. The edges are mirror-wrapped, so the picture continues around the sides and none of it is lost to the fold.
Framed canvas. The same canvas, set in a black, white, natural wood or dark wood frame 0.83 in deep. The frame gives the work a finished edge and a little more presence on the wall.
Framed print. Printed on fine art matte paper and framed in solid pine, behind shatterproof plexiglass, in black, white, natural wood or dark wood. It arrives ready to hang. Framed sizes are measured on the outside of the frame.
Fine art print. Printed on 310gsm fine art matte paper, for framing your own way. It travels rolled and protected. From 18x24 inch.
18x12 inch, 24x16 inch, 30x20 inch. Framed sizes are measured on the outside of the frame, so the visible painting is a little smaller.
Its wide shape suits a living room, a study or a coastal home. The blues, greens and touch of red look fresh with white, navy and pale wood, and a natural or black frame suits it.
About the painting
Kajikazawa is where two rivers meet to become the Fuji River, a busy place for river boats and a dangerous stretch of rapids. Hokusai drew it around 1830 to 1832, in his seventies, for his Thirty-six Views of Mount Fuji. It is counted among the best prints of the series.
A fisherman stands on a rocky point and leans out over the waves, his lines taut, a child and a basket beside him. His bent body follows the curve of the waves, and his fishing lines make a triangle, just like Mount Fuji far behind.
The first impressions were printed all in blue. Later ones, like this, gave the fisherman a red jacket and washed the rock from green to yellow. Hokusai liked the scene so much that he used it again, flipped and without Fuji, in his famous sketchbooks.
A fisherman leans out over a roaring river, and his fishing lines make the shape of a mountain.
Around 1830, Katsushika Hokusai, at seventy, is making a series of prints called Thirty-six Views of Mount Fuji.
For this one he chooses Kajikazawa, where two rivers meet and become the Fuji River, a place known for its dangerous rapids.
A fisherman stands on a rock that juts out over the water. A child sits beside him, with a basket.
The man's whole body is bent, tense, following the curve of the waves below. Even the rock beneath him curves the same way.
His lines spread out from his hands in a long triangle. And far behind him, Mount Fuji rises in the very same shape.
The first impressions were printed all in blue. Later ones, like this, give the fisherman a red jacket, and wash the rock from green to yellow.
Hokusai liked the scene so much that he drew it again in his sketchbooks, flipped round, and without the mountain.
It's counted among the very best prints of the whole series.
Look at the fisherman's lines, and then at Fuji.
Kajikazawa in Kai Province. Katsushika Hokusai, about 1831.
Faithful to the original, and made to be felt on your wall.
We compare every work with the original as we grade it, keeping the artist’s colours true while bringing back their depth and glow. Every mark stays the artist’s own.
Printed to order on cotton canvas or fine art paper, then framed if you chose a frame, in 1 to 3 business days.
It arrives 5 to 12 business days later, tracked and free anywhere in the US. Framed pieces come ready to hang.
No. The original hangs in a museum. What you receive is a fine art reproduction, remastered from the original and printed for you, with every mark where the artist left it.
This is where most reproductions disappoint, and it is where we spend the most time. Each work is graded side by side with the original: faithful to the artist’s colours, with the depth and warmth brought back, so it moves you on the wall the way it was meant to. Canvas reads a touch softer than a backlit screen, and every screen shows colour a little differently.
Each size is a standard frame size, so we fit the painting by trimming a little from its edges. We never stretch or squash it, and we check every size by eye so no face, figure or signature is cut. On canvas the edges are mirror-wrapped, which keeps the whole picture on the front.
Aim for about two-thirds the width of the furniture beneath it. Over a sofa or a sideboard, one of the two largest sizes will hold the wall. The size guide lists every size in inches and centimetres, with the kind of wall each one suits.
Your piece is printed in 1–3 business days, then spends 5–12 business days in transit, tracked all the way. Delivery is free anywhere in the US. We are unable to deliver to PO boxes.
Send us a photograph and we will remake it and send it again. There is nothing to return.
Yes, within 30 days of delivery. Our returns policy has the details.
Printed to order
Graded against the original, then printed for you on cotton canvas or fine art paper in 1–3 business days.
The whole painting
Every mark is the artist’s own, and canvas edges are mirror-wrapped so the whole picture stays on the front.
Free US shipping
On every order, tracked, 5–12 business days in transit.
30-day returns
Returns and exchanges within 30 days of delivery.