John James Audubon
Canada Goose
From $80
This is a print on paper, and a careless copy bleaches the sheet white or dulls the colour. Our Audubon Baltimore Oriole print keeps the whole sheet, with its plate number and captions, in a warm cream, so the bright orange and the woven nest stand out.
Canvas, framed or paper
Stretched canvas. Printed on cotton canvas and stretched taut over a frame. The edges are mirror-wrapped, so the picture continues around the sides and none of it is lost to the fold.
Framed canvas. The same canvas, set in a black, white, natural wood or dark wood frame 0.83 in deep. The frame gives the work a finished edge and a little more presence on the wall.
Framed print. Printed on fine art matte paper and framed in solid pine, behind shatterproof plexiglass, in black, white, natural wood or dark wood. It arrives ready to hang. Framed sizes are measured on the outside of the frame.
Fine art print. Printed on 310gsm fine art matte paper, for framing your own way. It travels rolled and protected. From 18x24 inch.
Sizes
12x18 inch, 16x24 inch, 20x30 inch, 24x36 inch. Framed sizes are measured on the outside of the frame, so the visible painting is a little smaller.
On your wall
Its tall sheet suits a kitchen, a sunroom or a child’s room. The orange and greens look cheerful with white, sage and natural wood, and a white or natural frame keeps it bright.
About the painting
Baltimore Oriole by John James Audubon
The Birds of America
John James Audubon set out to show every bird in America at its real size, engraved in London and coloured by hand, one plate at a time. This Baltimore Oriole is plate 12, from the first year of the book, 1827: males, a female and their nest.
Spring in Louisiana
The oriole arrives from the south, Audubon wrote, perhaps from Mexico, as soon as spring reaches Louisiana. Up and down the hanging branches of the tulip trees it hunts for caterpillars, and its clear, mellow notes carry out of the woods.
The hanging nest
To build the nest, the male flies down for long dry threads of Spanish moss and carries them up to the chosen spot, chirruping all the while as if he knows no fear. The plate shows the finished nest hanging among the leaves.
Read the story
This nest is woven from moss, and hangs in the air.
John James Audubon opens its chapter with the Mississippi in autumn, and the cotton trees and vines along its banks.
The Baltimore Oriole arrives from the south, John James Audubon wrote, perhaps from Mexico, as soon as spring reaches Louisiana.
Up and down the hanging branches of the tulip trees, it hunts for caterpillars.
And its clear, mellow notes carry out of the woods.
To build the nest, the male flies down for long dry threads of Spanish moss, and carries them up to the chosen spot, chirruping all the while, as if he knows no fear.
In the plate, Audubon shows the males, the female, and the finished nest hanging among the leaves.
It was one of the very first plates of the book, issued in 1827.
Look at the orange, and then find the nest.
Baltimore Oriole. John James Audubon, plate twelve of The Birds of America.
How each piece is brought to life
Faithful to the original, and made to be felt on your wall.
Graded against the original
We compare every work with the original as we grade it, keeping the artist’s colours true while bringing back their depth and glow. Every mark stays the artist’s own.
Printed for you
Printed to order on cotton canvas or fine art paper, then framed if you chose a frame, in 1 to 3 business days.
On your wall
It arrives 5 to 12 business days later, tracked and free anywhere in the US. Framed pieces come ready to hang.
Questions
Is this the original painting?
No. The original hangs in a museum. What you receive is a fine art reproduction, remastered from the original and printed for you, with every mark where the artist left it.
Will the colour look flat?
This is where most reproductions disappoint, and it is where we spend the most time. Each work is graded side by side with the original: faithful to the artist’s colours, with the depth and warmth brought back, so it moves you on the wall the way it was meant to. Canvas reads a touch softer than a backlit screen, and every screen shows colour a little differently.
Will the edges be cropped?
Each size is a standard frame size, so we fit the painting by trimming a little from its edges. We never stretch or squash it, and we check every size by eye so no face, figure or signature is cut. On canvas the edges are mirror-wrapped, which keeps the whole picture on the front.
Which size is right for my wall?
Aim for about two-thirds the width of the furniture beneath it. Over a sofa or a sideboard, one of the two largest sizes will hold the wall. The size guide lists every size in inches and centimetres, with the kind of wall each one suits.
How long does it take?
Your piece is printed in 1–3 business days, then spends 5–12 business days in transit, tracked all the way. Delivery is free anywhere in the US. We are unable to deliver to PO boxes.
What if it arrives damaged?
Send us a photograph and we will remake it and send it again. There is nothing to return.
Can I return it?
Yes, within 30 days of delivery. Our returns policy has the details.
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Printed to order
Graded against the original, then printed for you on cotton canvas or fine art paper in 1–3 business days.
The whole painting
Every mark is the artist’s own, and canvas edges are mirror-wrapped so the whole picture stays on the front.
Free US shipping
On every order, tracked, 5–12 business days in transit.
30-day returns
Returns and exchanges within 30 days of delivery.
