John James Audubon
Canada Goose
From $80
This is a print on paper, and a careless copy bleaches the sheet white or dulls the colour. Our Audubon Passenger Pigeon print keeps the whole sheet, with its plate number and captions, in a warm cream, so the soft rose and blue-grey feathers stand out.
Canvas, framed or paper
Stretched canvas. Printed on cotton canvas and stretched taut over a frame. The edges are mirror-wrapped, so the picture continues around the sides and none of it is lost to the fold.
Framed canvas. The same canvas, set in a black, white, natural wood or dark wood frame 0.83 in deep. The frame gives the work a finished edge and a little more presence on the wall.
Framed print. Printed on fine art matte paper and framed in solid pine, behind shatterproof plexiglass, in black, white, natural wood or dark wood. It arrives ready to hang. Framed sizes are measured on the outside of the frame.
Fine art print. Printed on 310gsm fine art matte paper, for framing your own way. It travels rolled and protected. From 18x24 inch.
Sizes
12x18 inch, 16x24 inch, 20x30 inch, 24x36 inch. Framed sizes are measured on the outside of the frame, so the visible painting is a little smaller.
On your wall
Its tall sheet suits a study, a hallway or a quiet bedroom. The rose and blue-greys look gentle with cream, dove grey and walnut, and a natural or dark wood frame suits it.
About the painting
Passenger Pigeon by John James Audubon
The Birds of America
John James Audubon set out to show every bird in America at its real size, engraved in London and coloured by hand, one plate at a time. This Passenger Pigeon is plate 62, issued in 1829: a male and a female on a branch.
The wild pigeon
It flew with extreme rapidity, Audubon wrote, and in courtship its wingtips clapped together so loudly you could hear it thirty or forty yards away. Its huge migrations followed food, not the seasons, and whole districts could be empty of pigeons for years.
Darkness at noon
In the autumn of 1813 he rode from his home at Henderson, on the Ohio, toward Louisville. The air, he wrote, was literally filled with pigeons, and the light of noon-day was obscured as by an eclipse. The continued buzz of wings had a tendency to lull my senses to repose.
Read the story
Once, these birds could darken the sky.
In the autumn of 1813, John James Audubon rode from his home at Henderson, on the Ohio, toward Louisville.
The air, he wrote, was literally filled with pigeons. The light of noon-day was obscured, as by an eclipse.
The droppings, he added, fell like melting flakes of snow.
The continued buzz of wings had a tendency to lull my senses to repose.
The passenger pigeon flew with extreme rapidity. In courtship its wingtips clapped together, loud enough to hear thirty or forty yards away.
People also called it the Wild Pigeon.
Its huge migrations followed food, not the seasons.
Here, a male and a female share a branch, one leaning down toward the other.
The National Gallery's impression of this plate is dated 1829.
Look at the rose of his breast, and then at the two heads.
Passenger Pigeon. John James Audubon, plate sixty-two of The Birds of America.
How each piece is brought to life
Faithful to the original, and made to be felt on your wall.
Graded against the original
We compare every work with the original as we grade it, keeping the artist’s colours true while bringing back their depth and glow. Every mark stays the artist’s own.
Printed for you
Printed to order on cotton canvas or fine art paper, then framed if you chose a frame, in 1 to 3 business days.
On your wall
It arrives 5 to 12 business days later, tracked and free anywhere in the US. Framed pieces come ready to hang.
Questions
Is this the original painting?
No. The original hangs in a museum. What you receive is a fine art reproduction, remastered from the original and printed for you, with every mark where the artist left it.
Will the colour look flat?
This is where most reproductions disappoint, and it is where we spend the most time. Each work is graded side by side with the original: faithful to the artist’s colours, with the depth and warmth brought back, so it moves you on the wall the way it was meant to. Canvas reads a touch softer than a backlit screen, and every screen shows colour a little differently.
Will the edges be cropped?
Each size is a standard frame size, so we fit the painting by trimming a little from its edges. We never stretch or squash it, and we check every size by eye so no face, figure or signature is cut. On canvas the edges are mirror-wrapped, which keeps the whole picture on the front.
Which size is right for my wall?
Aim for about two-thirds the width of the furniture beneath it. Over a sofa or a sideboard, one of the two largest sizes will hold the wall. The size guide lists every size in inches and centimetres, with the kind of wall each one suits.
How long does it take?
Your piece is printed in 1–3 business days, then spends 5–12 business days in transit, tracked all the way. Delivery is free anywhere in the US. We are unable to deliver to PO boxes.
What if it arrives damaged?
Send us a photograph and we will remake it and send it again. There is nothing to return.
Can I return it?
Yes, within 30 days of delivery. Our returns policy has the details.
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Printed to order
Graded against the original, then printed for you on cotton canvas or fine art paper in 1–3 business days.
The whole painting
Every mark is the artist’s own, and canvas edges are mirror-wrapped so the whole picture stays on the front.
Free US shipping
On every order, tracked, 5–12 business days in transit.
30-day returns
Returns and exchanges within 30 days of delivery.
